Best Sound Editing - Long Form Sound FX and Foley in Television - Battlestar Galactica for the episode "Daybreak, Part 2".
Best Sound Editing - Long Form Dialogue and ADR in Television - Battlestar Galactica for the episode "Daybreak, Part 2".
Best Sound Editing - Short Form Sound Effects and Foley in Television - Battlestar Galactica for the episode "Islanded In a Strem of Stars".
Best Sound Editing - Short Form Sound Effects and Foley in Television - Trauma for the episode "All's Fair - #113”
Best Sound Editing - Short Form Sound Effects and Foley in Television - Warehouse 13 or the episode "MacPherson - #112”
Best Sound Editing - Short Form Sound Effects and Foley in Television - Warehouse 13 for the episode "Pilot”
Best Sound Editing - Direct to Video - Caprica
Best Sound Editing - Short Form Sound Effects and Foley in Television - Battlestar Galactica for the episode "He That Believeth in Me"..
Outstanding Sound Editing for a Series “Battlestar Galactica” For episode "Daybreak", part 2
Best Sound Editing - Short Form Sound Effects and Foley in Television For episode "Islanded In a Strem of Stars".
Battlestar Galactica
Best Sound Editing in Television: Long Form – Sound Effects and Foley - Battlestar Galactica for the episode "Razor"
Best Sound Editing in Television: Short Form – Sound Effects and Foley - Bionic Woman for the episode “Pilot”
Best Sound Editing in Television: Short Form – Sound Effects and Foley - Eureka for the episode "E=MC?"
Best Sound Editing in Sound Effects and Foley For television - Short Form - Eureka for the episode "Pilot"
Best Sound Editing in Sound Effects and Foley for Television - Long Form - Battlestar Galactica for the episode " Occupation/Precipice".
Best Sound Editing in Sound Effects and Foley For television - Short Form - Battlestar Galactica for the episode "Exodus, part 2".
Outstanding Sound Editing for a Series “Battlestar Galactica” For episode "Exodus," part 2
Best Sound Editing - Direct to Video - “Control” Millennium Films/Lions Gate
A natural sound is the audio taken from the actual source. Sometimes natural sound does not meet audience expectations because they are disappointed by the sound of reality and influenced by sound ideology.
Our sound designers help in the planning stages of film and television shows. We work with the director and post producer to shape the overall soundtrack of the film/show to manipulate the audio elements and create a desired mood.
The audio recorded on set needs to be properly mixed by a dialogue editor. At AnEFX, locating the proper take from the recorded audio, checking sync and eliminating extraneous noise so that the mixer can clean the dialogue is all crucial.
Foley supplies the film with subtle and everyday sounds that the microphone often misses. These background noises refer to anything from footsteps to doors closing to splashing in the pool that makes the film/show seem realistic.
ADR is the process of recording and replacing voices after the original shooting sequence. If the film is shot on a sound stage, the dialogue recorded will probably be used in the final film because there is usually no background influence.