Jeff Brunello sound designer
Heavily influenced by action-packed movies like Star Wars, Indiana Jones and Back to the Future, Jeff Brunello knew early on in life that he would one day be a part of the filmmaking world. While attending Ithaca College in New York, he realized his passion for sound effects and designer in film, television and video games while working as a sound designer for student projects. While working for the SyFy’s Battlestar Gallactica series Jeff contributed to the sounds of the Cyclon Raiders, which later became a signature sound of the BSG universe. The sound effects he most enjoys working on are spaceships, vehicles, weapons, creatures and doors, which he find can add substance and define the character of any scene.
Jeff K. Brunello
Won one Golden Reel Award for Best Sound Editing in 2002. Has been nominated for two Emmy’s and three Golden Reel Awards.
Sound Department:
1. The Loneliness of the Long Distance Dreamer (2009) (completed) (sound editor)
2. "Covert Affairs" (sound editor) (3 episodes, 2010)
3. "Warehouse 13" (sound designer) (12 episodes, 2009-2010)
4. "Trauma" (sound effects editor) (8 episodes, 2009)
5. "Eureka" (sound designer) (29 episodes, 2006- 2009) (sound effects editor) (11 episodes, 2006) (sound effects editor: AnEFX) (1 episode, 2006)
6. "Royal Pains" (sound designer) (1 episode, 2009)
7. Fire & Ice (2008) (TV) (sound designer)
8. "Bionic Woman" (sound effects editor) (5 episodes, 2007)
9. "Justice" (sound effects editor) (8 episodes, 2006- 2007)
10. An American Crime (2007) (TV) (sound effects editor)
11. "Angela's Eyes" (sound effects editor) (6 episodes, 2006)
12. "Psych" (sound effects editor) (1 episode, 2006)
13. Pucked (2006) (sound effects editor)
14. Three Wise Guys (2005) (TV) (sound effects editor)
15. "The American Experience" (sound effects editor) (1 episode, 2005)
16. A Very Married Christmas (2004) (TV) (sound effects editor) (as Jeff Brunello)
17. Murder-Set-Pieces (2004) (sound effects editor)
18. Searching for Angela Shelton (2004) (sound effects editor)
19. Half-Caste (2004) (V) (sound effects editor)
20. "Battlestar Galactica" (sound editor) (2 episodes, 2003)
21. D.C. Sniper: 23 Days of Fear (2003) (TV) (sound effects editor)
22. Bugs (2003) (TV) (sound effects editor)
23. Encrypt (2003) (TV) (sound effects editor)
24. Deathlands (2003) (TV) (sound effects editor)
25. Dark Wolf (2003) (V) (sound effects editor)
26. Threshold (2003) (TV) (sound effects editor)
27. Do or Die (2003) (TV) (sound effects editor)
28. Control Factor (2003) (TV) (sound effects editor)
29. The Burning Land (2003) (sound effects editor)
30. Slaughter Studios (2002) (V) (sound effects editor)
31. Shakedown (2002) (V) (sound effects editor)
32. Hungry Hearts (2002) (dialogue editor) (sound designer)
33. Terminal Invasion (2002) (TV) (sound effects editor)
34. Power Play (2002) (sound effects editor)
35. The Slaughter Rule (2002) (sound editor) (sound effects editor)
36. A Light in the Forest (2002) (sound effects editor)
37. Reckoning (2002) (sound effects editor) (supervising sound editor)
38. Flying Virus (2001) (sound effects editor)
39. Raptor (2001) (V) (sound effects editor)
40. The Elite (2001) (sound effects editor)
41. All About You (2001) (sound effects editor)
42. Blue Hill Avenue (2001) (sound effects editor)
43. Spiders II: Breeding Ground (2001) (sound editor)
44. Looking for Bobby D (2001) (supervising sound editor)
45. Donnie Darko (2001) (background sound editor) (sound effects editor)
46. Windfall (2001) (TV) (sound effects editor)
47. Morgan's Ferry (2001) (assistant sound effects editor)
48. Hard As Nails (2001) (V) (sound effects editor)
49. Phase IV (2001) (sound editor) (sound effects editor)
50. Lockdown (2000) (sound editor)
51. Attraction (2000) (sound editor)
52. Ping! (2000) (sound effects editor)
53. Cherry Falls (2000) (sound effects editor)
54. Woman on Top (2000) (sound effects editor)
55. Cheaters (2000) (TV) (sound effects editor)
56. Enslavement: The True Story of Fanny Kemble (2000) (TV) (sound effects editor)
57. Timecode (2000) (sound editor) (uncredited)
58. Red Dirt (2000) (sound effects editor)
59. Sinbad: Beyond the Veil of Mists (2000) (sound effects editor)
60. Crime and Punishment in Suburbia (2000) (sound effects editor)
61. Chuck & Buck (2000) (sound effects editor)
62. Little Sister (2000) (sound designer) (supervising sound editor)
63. Seven Girlfriends (1999) (sound effects editor) (uncredited)
64. The Apartment Complex (1999) (TV) (sound effects editor)
65. Bats (1999) (sound effects editor)
66. Presence of Mind (1999) (sound effects editor)
67. Drive Me Crazy (1999) (sound effects editor)
68. The Big Kahuna (1999) (sound effects editor)
69. The Runner (1999) (assistant sound effects editor)
70. A Texas Funeral (1999) (sound effects editor)
71. Buddy Boy (1999) (sound editor)
72. Foolish (1999) (sound editor)
73. Bobby G. Can't Swim (1999) (supervising sound editor)
74. The Breaks (1999) (sound effects editor)
75. Joe the King (1999) (sound effects editor)
76. A Slipping-Down Life (1999) (assistant sound effects editor)
77. Happy, Texas (1999) (sound effects editor)
78. My Brother the Pig (1999) (sound editor)
79. Dog Park (1998) (sound effects editor)
80. Black Mask (1996) (sound effects assistant) (as Jeff Brunello)
Music Department:
1. Little Sister (2000) (music editor)
How Can We Help?We are a state-of-the-art facility providing the highest quality sound services...
A natural sound is the audio taken from the actual source. Sometimes natural sound does not meet audience expectations because they are disappointed by the sound of reality and influenced by sound ideology.
Our sound designers help in the planning stages of film and television shows. We work with the director and post producer to shape the overall soundtrack of the film/show to manipulate the audio elements and create a desired mood.
The audio recorded on set needs to be properly mixed by a dialogue editor. At AnEFX, locating the proper take from the recorded audio, checking sync and eliminating extraneous noise so that the mixer can clean the dialogue is all crucial.
Foley supplies the film with subtle and everyday sounds that the microphone often misses. These background noises refer to anything from footsteps to doors closing to splashing in the pool that makes the film/show seem realistic.
ADR is the process of recording and replacing voices after the original shooting sequence. If the film is shot on a sound stage, the dialogue recorded will probably be used in the final film because there is usually no background influence.