Since 1992, AnEFX has served as the pinnacle of audio post-production for the television and motion picture industries. Boasting an Emmy® award-winning team that offers the finest in complete sound design supervision, the company’s clients are treated to high quality services that are always exceptional, always on time and always cost-competitive, proving that at AnEFX, you actually can get all three sides of the triangle.
Founder Jack Levy built a creative haven from the ground up. The difference we offer is perceived by our growing community and by the peer groups that regularly recognize our work. We define ourselves by our service and our work quality while being ego-less, curious and dedicated. Our profound devotion to our clients’ needs differentiates us from our competitors.
Jack Levyanefx CEO
Since creating AnEFX in 1992, Jack Levy has had one mission in mind: helping clients reach their goal and project vision. That remains true today. Jack’s state-of-the-art studio and exceptional staff provide...
AnEFX produces spot on audio effects for two new fall dramas: Fairly Legal and Perfect Couples
Sunday, 5th September 2010
The acclaimed audio post-production company, AnEFX, has signed on to package the sound for two new fall dramas, USA Network’s Fairly Legal and NBC’s Perfect Couples.
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AnEFX designs sound effects to grasp and captivate the audience of Warehouse 13’s second season
Sunday, 5th September 2010
AnEFX Studios’ talented audio post-production team is back to deliver sound design for Syfy Channel’s Warehouse 13.
Read moreHow Can We Help?We are a state-of-the-art facility providing the highest quality sound services...
A natural sound is the audio taken from the actual source. Sometimes natural sound does not meet audience expectations because they are disappointed by the sound of reality and influenced by sound ideology.
Our sound designers help in the planning stages of film and television shows. We work with the director and post producer to shape the overall soundtrack of the film/show to manipulate the audio elements and create a desired mood.
The audio recorded on set needs to be properly mixed by a dialogue editor. At AnEFX, locating the proper take from the recorded audio, checking sync and eliminating extraneous noise so that the mixer can clean the dialogue is all crucial.
Foley supplies the film with subtle and everyday sounds that the microphone often misses. These background noises refer to anything from footsteps to doors closing to splashing in the pool that makes the film/show seem realistic.
ADR is the process of recording and replacing voices after the original shooting sequence. If the film is shot on a sound stage, the dialogue recorded will probably be used in the final film because there is usually no background influence.